Issue 5 centres on New York–based artist Marc Kokopeli, whose work moves between transparent screens, childhood archives, consumer electronics, pop-cultural debris, and sculptures assembled from nappies and nursery products. George Egerton-Warburton, Camille Orel, Miranda Samuels, and Sabeth Buchmann and Stephan Geene consider how Kokopeli’s practice gives form to class anxiety, reproductive labour, media saturation, and an art world in which critique increasingly circulates as content.