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3000 VIC Melbourne

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Issue 1 (Summer 2023/24)

Memo

Welcome to the first issue of Memo magazine, seven years since we began publishing our weekly online art reviews. Each edition of Memo will bring you an in-depth focus on an artist, with Rex Butler, Tara Heffernan, Tristen Harwood, and Hilary Thurlow  in this issue turning to the work of Archie Moore on the cusp of his subsquent Golden Lion award for Best National Participation at La Biennale de Venezia 2024.

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Editor-In-Chief

Paris Lettau

Editors

Amelia Winata, Audrey Schmidt, Cameron Hurst, Chelsea Hopper, Giles Fielke, Helen Hughes, Paris Lettau

Contents

Editorial

EditorialFree to Read
Paris Lettau

Peripheral Visions

Tall Poppies
Audrey Schmidt
I Am a Serious Artist: Contemporary Artists in Contemporary Hollywood
Philip Brophy
Dean Kissick is Spiralling
Cameron Hurst
The Manhattan Art Review Goes to Europe: Kirac vs Houellebecq
Sean Tatol
What We Inherited
Verónica Tello

Artist Focus: Archie Moore

Archie Moore: The Stalker
Rex Butler
The Impoverished Aesthetic: Class, Race, and Depression in the Work of Archie Moore
Tara Heffernan
Who’s Afraid of Red, Yellow, and Black?
Hilary Thurlow
Technical Knockout
Tristen Harwood

Issues

The Design Turn
Amelia Winata
Archival Research Art—Claire Bishop
Callum McGrath
The Art of Culture War: Collective Interests in the APY Affair
Paris Lettau and Lévi McLean

Works

Saint Blue: The Afterlife of Derek Jarman’s Blue
Chelsea Hopper and Shaune Lakin
Helen Johnson’s The Birth of an Institution
Helen Hughes

Artists

Isa Genzken, 75/75, Neue Nationalgalerie Berlin
Camille Orel
Anna Higgins: Total Montage
Giles Fielke
Interior Decoration: Recent Paintings by Anabel Robinson
Gemma Topliss
Love Jas H. Duke
Victoria Perin
Visions and Collisions: The Prophetic Work of Tim Burns
Aimee Dodds

Reviews

Reviews

Back Issues

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Issue 4 (Summer 2025), Hana Earles Focus
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Issue 3 (Autumn/Winter 2025), Maria Kozic Focus
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Issue 2 (Spring/Summer 2024/25), Tennant Creek Brio Focus
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Issue 1 (Summer 2023/24), Archie Moore Focus
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