The Art of Culture War: Collective Interests in the APY Affair
The APY Art Centre Collective scandal, ignited by Murdoch’s The Australian, exposed more than allegations of interference—it revealed power struggles in the Aboriginal art industry and became a flashpoint for culture wars. As institutions, dealers, and politicians jockeyed for position, the artists were caught in a battle over authenticity, control, and the future of Aboriginal contemporary art.
By Paris Lettau and Lévi McLean
Issue 1, Summer 2023/24
Exclusive to the Magazine
The Art of Culture War: Collective Interests in the APY Affair by Paris Lettau and Lévi McLean is featured in full in Issue 1 of Memo magazine.
Get your hands on the print edition through our online shop or save up to 20% and get free domestic shipping with a subscription.
Buy this article as an ePaper (PDF)
Single-article PDF, not the whole issue. AUD $5.00.
Related

Claire Bishop critiques “research art” as text-heavy and citation-driven, but her Eurocentric framing misses artists like D Harding and Megan Cope, whose work transforms research into lived cultural practice.

From Rhode Island School of Design‘s anti-commercial posturing to Gagosian’s prismatic salons, this fictional Anna Weyant chronicle exposes the brutal mechanics of ambition in contemporary art.
