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By Paris Lettau

<p>Still from Fiona Macdonald, <em>Museum Emotions: A Conceptual Soap Opera in 9 Episodes</em>, 2003, Digital Betacam, 104 minutes, Episode 8, <em>The Body with Organs That Got Left Out in the Rain</em>: collaborative artists Josephine (Rachel Meisner) and Torbjorn (Brendan Lee), with Generic, <em>Boring Video Art 543</em>. Written and directed by the artist. Courtesy the artist.</p>

Peripheral Visions

The Anxious Australian Art Star: On Ella Baxter’s Woo Woo

By Aodhan Madden

<p>Jon McNaughton, <em>The Forgotten Man</em>, 2011, lithograph print, 25.4 × 38.1 cm, McNaughton Fine Art, <a href="https://jonmcnaughton.com/litho-canvas-the-forgotten-man-10-x-15-oe/"><a href="https://jonmcnaughton.com/litho-canvas-the-forgotten-man-10-x-15-oe/">https://jonmcnaughton.com/litho-canvas-the-forgotten-man-10-x-15-oe/</a></a>.</p>

Peripheral Visions

By Philip Brophy

<p>Giovanni di Paolo, <em>The Creation of the World and the Expulsion from Paradise</em>, 1445, tempera and gold on wood, 46.4 × 52.1 cm. Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975, 1975.1.31. Image from Wikimedia Commons. Public domain.</p>

Peripheral Visions

Artifice and the Mimetic Powers of Nature

By Anna Greenspan

On Writing as Necessity

Peripheral Visions

On Writing as Necessity

By Alenka Zupančič

<p>Portrait of Wayne Koestenbaum. Photo: Richard Stuart Perkins.</p>

Peripheral Visions

In Conversation: Wayne Koestenbaum & Chelsea Hopper

By Chelsea Hopper, Wayne Koestenbaum

<p>Miu Miu Street Style Street style, Claire Rose Cliteur arriving at Miu Miu Fall-Winter 2024-2025 show, held at Palais d Iena, Paris, France, on March 5th, 2024. Copyright: Marie-Paola Bertrand-Hillion ABACA. Photo: Marie-Paola Bertrand-Hillion.</p>

After Personal Style

By Erich Kessel

<p>Anabel Robinson, <em>Bedroom Dressups</em>, 2022, illustration, <em>Cupboard</em> issue 1.</p>

Cupboard: Haute Amateur

By Laura Gardner

<p>Marcus Whale, <em>Ecstasy</em>, 2024–25. Performance, 70 minutes. Photo: Sage Riley.</p>

The Ecstasy of Marcus Whale

<p>Marc Kokopeli, <em>untitled</em>, 2016, framed archival print, 50.8 × 66.4 × 2.54 cm. Courtesy of the artist.</p>

Too Late to New York: Critique Beside Itself in the Work of Marc Kokopeli

By George Egerton-Warburton

Model Cars, Model Art. Marc Kokopeli’s Pampertaarten

Model Cars, Model Art. Marc Kokopeli’s Pampertaarten

By Camille Orel

<p>Installation view of Marc Kokopeli, <em>Now we are on Easy Street</em>, at Galerie Isabella Bortolozzi, Berlin, 2025. Courtesy the artist and Galerie Isabella Bortolozzi, Berlin. Photo: Graysc.</p>

The Cumbersome: Marc Kokopeli’s Now We Are on Easy Street

By Sabeth Buchmann, Stephan Geene

<p>Marc Kokopeli,<em> Problem_02</em>, 2026, 63.2 × 104.1 × 35.6 cm, digital video, resin, fabric, mixed media, and transparent LCD cabinet. Courtesy the artist and Reena Spaulings Fine Art. Photo: Joerg Lohse.</p>

By Miranda Samuels

<p>Chart of Truth, n.d.</p>

The Tip of the Iceberg with Joshua Citarella and Audrey Pfister

By Audrey Pfister, Josh Citarella

<p>51st Cesar Ceremony Jim Carrey with the Honorary Cesar Award during 51st Cesar Film Awards held at l Olympia on February 26, 2026, in Paris, France. Photo by Nasser Berzane ABACAPRESS.COM Paris France Copyright: BerzanexNasser ABACA.</p>

Behind the Mask

By Audrey Schmidt

<p>An offshore scam centre, also known as a boiler room, in the Philippines. Photo: AFP.</p>

By Sean Dockray, Joel Stern

<p>Still from Sam Contis, <em>Five Kilometers</em>, 2025, three-channel video, color, sound, 26 minutes. © and courtesy the artist.</p>

Bodies in Motion

By Nicole Kaack

<p>Elizabeth Newman, <em>1988,</em> 2010 (remade 2020), digital print on paper, timber, 33 × 23 × 4 cm (envelope); 12 × 14 × 16 cm (base). Courtesy of the Estate of Elizabeth Newman. </p>

No Doubt: Elizabeth Newman

By Helen Hughes

<p>Installation view of <em>I ♥ Lizzy.</em> Courtesy of the artists and Neon Parc. Photo: Madé Spencer-Castle.</p>

<p>Elizabeth Newman, <em>Untitled</em>, 2018, pastel and acrylic on paper, 42 x 30 cm.</p>

Elizabeth Newman, Untitled (2018)

By Francis Plagne

<p>Daniel Spoerri, <em>Fallenbild im Quadrat: Paraphrase auf die Aktion 365 Tische des Rest. Spoerri</em>, 1972, material collage on wood, 100 x 200 x 28 cm. Courtesy Kunsthaus Zürich. Daniel Spoerri. PROLITTERIS/Copyright Agency, 2026.</p>

Daniel Spoerri, Fallenbild im Quadrat: Paraphrase auf die Aktion 365 Tische des Rest. Spoerri, 1972

By Amelia Winata

<p>Lévi McLean, <em>Rumpofsteelskin (The Echidnaphoura from Harmundi Moria)</em>, concrete, granite, copper, stone, steel, hydrostone, plaster of Paris, Dutch gold Leaf, copper leaf, enamel, synthetic polymer paint, metal powder pigments, 300 x 140 x 60 cm, weight 142 kg. Photo: Christian Capurro.</p>

Lévi McLean, Rump-of-steel-skin (The Echidnophoura from Harmundi Moria) (2026)

By Aaron Nyerges, Brian Obiri-Asare

<p>Installation view of Cecilia Bjartmar Hylta, <em>Untitled, </em>2023. Courtesy of the artist and diez, Amsterdam. Photo: John Forest.</p>

Cecilia Bjartmar Hylta, Untitled (2023)

By Eleanor Ivory Weber

<p>Tim Hardy, still from <em>Vanity Torso Animal Spirit, </em>2024, Tasmanian oak veneered MDF, clear varnish, two Sony PVM-20 CRT monitors, progressive video (20-minute continuous loop), two-channel audio, 2427 x 501 x 573 mm. Photo: Tim Hardy.</p>

Tim Hardy: Love Is a Crowded Theatre

By Cameron Hurst