Jartti kari mukku ajjulunginyi / Other People’s Property (O.P.P.)

Claire Bishop critiques “research art” as text-heavy and citation-driven, but her Eurocentric framing misses artists like D Harding and Megan Cope, whose work transforms research into lived cultural practice.

From Rhode Island School of Design‘s anti-commercial posturing to Gagosian’s prismatic salons, this fictional Anna Weyant chronicle exposes the brutal mechanics of ambition in contemporary art.