Shock of the New
The Tennant Creek Brio transform mining maps, dead TVs, and frontier wreckage into new cultural claims—rejecting imposed “otherness” and forcing the settler gaze into confrontation. If their art is a shock, who’s really being unsettled?
“Hell is others.” It’s probably not the best way to introduce an artist collective founded on the idea that strength comes from working together, that the harmonious whole is greater than the individual parts. But “hell” and its various connotations does relate to the work of the Tennant Creek Brio and to the Italian word “brio” itself, which signifies “fire” as both a destructive and creative force. “Hell” might relate to contemporary life at Tennant Creek, or at least how it’s generally depicted in mainstream reports as a broken-down town best passed through on the way to and from Alice Springs or the so-called Devil’s Marbles nearby.
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Shock of the New by Maurice O’Riordan is featured in full in Issue 2 of Memo magazine.
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Kim Gordon’s rock-star body is an object of projection—vacuuming, sleeping, wielding a Jazzmaster in Airbnb limbo. From Sonic Youth to No Home Record, she performs middle-class blankness, but what’s staged, what’s real, and who’s the audience for her disembodied domestic rebellion?
I have begun to desire noise. Noise that prompts. Maybe wounds. I want to remember something that feels tangible, and if I have no memory of how this feels I want to create one.
