Robert Rooney, Jazz, Art
Before performance art, there was art and music. At the Eastside Gallery in Jolimont in the early 1960s, some artists would exhibit while others just jammed.
By Jarrod Zlatic
Issue 4, Summer 2025
I caught only a brief twenty-second clip: a trio of guitar, violin, and electronics at the feet of the National Gallery of Victoria’s newly acquired Yayoi Kusama sculpture Dancing Pumpkin (2020). The performance was a launch event scheduled during the Melbourne Art Book Fair next door in The Great Hall. The ambient wash of sound gave a slightly awkward lobby-entertainment vibe, as the usual weekend throng sauntered around. The trio’s set consisted of interpretations of the graphic scores of Robert Rooney (1937–2017).
Exclusive to the Magazine
Robert Rooney, Jazz, Art by Jarrod Zlatic is featured in full in Issue 4 of Memo magazine.
Get your hands on the print edition through our online shop or save up to 20% and get free domestic shipping with a subscription.
Related

Seriality animates Maria Kozic’s art in 1990s Melbourne. Her fleshly weapons and pin-up girls mutate across media, trace the tangled circuitry of sex, violence, and mass culture’s compulsive pulse.


Er ist wieder da. He is back again. During the harrowing June nail-biter standoff between Israel and Iran, an otherwise dissonant chorus of global diplomatic voices — for a moment — seemed to speak in unison. According to a bare-minimum international consensus, Hitler had to be defeated once more.
