Biz Sherbet Interviews Hana Earles

Emily Kam Kngwarray’s art has been claimed, framed, and re-framed—by critics, curators, and institutions alike. But what remains of the singular, personal encounter with her work?

Melbourne’s art scene is fertile ground for Tall Poppy proliferation and carnage.

The dissemblant image can be understood as one deliberately distant from its subject, seemingly illogical in its association.