A Lightness of Spirit is the Measure of Happiness
Australian Centre for Contemporary Art, 7 July – 16 September 2018.
By Anna Parlane
The current exhibition at the Australian Centre for Contemporary Art
(ACCA), A Lightness of Spirit is the Measure of Happiness, is very
welcome. This is in part because it is the inaugural product of an
institutional and governmental investment in not only Indigenous artists
but also Indigenous curators. A partnership between Creative Victoria,
ACCA and Ta...
Best and Overlooked of 2018
Memo Review asked three of our contributors to write on a show they have especially liked but that we haven't had a chance to review. As a special issue we publish these reviews from Tiarney Miekus, Amelia Winata and Giles Fielke.
Ella Sowinska 80 Ways
recess, Friday 30 March – 30 April 2018
By Tiarney Miekus
Considering the amount of things that can be streamed online (i.e., entire lives), it's peculiar how art is a thing that supposedly doesn't h...
Auto Body Works
Arts Project Australia, 16 June – 21 July 2018, guest curated by Patrice Sharkey, Director of West Space
By Shelley McSpedden
I recently made a rather modest foray into the world of body augmentation. After ninety minutes of being subjected to intense buffering, sharp prods and eye-watering fumes, I emerged transformed; a once recalcitrant nail-biter revamped into someone just presentable enough for inclusion in my sister's bridal party. This alarmingly visceral experience...
Colony: Australia 1770–1861 / Frontier Wars
Ian Potter Centre, National Gallery of Victoria. Colony: Australia 1770–1861 until 15 July | Colony: Frontier Wars until 30 September
By Rex Butler
Colony is undoubtedly the best show the NGV has put on since Australian Impressionists in France in 2013. And I’d even say that the two shows are connected. Seriously. Both shake up our conception of what “Australia” is and perhaps even more profoundly where “Australia” is. Certainly, a number...
Andrew Browne, Spill
7 June – 7 July 2018
By Paris Lettau
In the final chapter of his 1931 book, An Account of French Painting, Clive Bell attempts to explain what he calls 19th century French painting's (i.e., modernism's) 'momentous lapse in taste'. Of course, he meant a lapse from the perspective of those trained in the 19th century Academy's tradition of taste, and all the standards of painting it sought to uphold. For Bell's generation, on the contrary, the late 1...
The Sculpture Park
Point Leo Estate, 3649 Frankston-Flinders Road, Merricks, Victoria
By Jane Eckett
That the Mornington Peninsula now boasts three privately endowed sculpture parks is a remarkable fact given the relatively small geographic area. Joining the long-standing McClelland Gallery + Sculpture Park (founded and chiefly supported – up until recently – by the late Dame Elisabeth Murdoch) are two new additions, both attached to wineries: Montalto in Red Hill South and Point Leo Estat...
Lucina Lane and Nigel Lendon Teach the Kids to Strike
Neon Parc, 18 May – 16 June
By Gile Fielke
I’ve not noticed the terazzo tiles on the floor of Neon Parc’s city gallery. And I’ve been visiting shows at the Bourke Street space for years now. It took Lucina Lane and Nigel Lendon’s collaborative exhibition Teach the kids to strike for me to look hard at just how extraordinarily worn the floors really are. When I ask gallerist Geoff Newton about this, he unpretentiously admits that the...
I hope you get this: Raquel Ormella
Shepparton Art Museum, 26 May–12 August, 2018
By Tim Alves
Raquel Ormella’s artworks have been included in a number of thematic exhibitions exploring the relationships between art and activism in recent years; examples include Direct Democracy, at MUMA in 2013 and See You at the Barricades, at AGNSW in 2015. These exhibitions showed her series of trade union style banners I’m Worried This Will Become a Slogan, 1999–2009, and her series of “reworked...