Liwukaŋ Bukurlatjpi, A New Australian Flag (1989)
“We can and must live together under one law under one flag.” — Burrumarra, 1989
By Ian McLean
Issue 4, Summer 2025
Not one to miss the political opportunity of Australia’s 1988 bicentenary, in 1989 the Yolŋu buŋgawa (headman) of the Warramiri nation, Burrumarra (ca. 1917–94), sent a two-page proposal for a new Australian flag to Indigenous and government organisations (which I quote from). It included
illustrations of the flag taken from an enamel painting on plywood that Burrumarra asked his brother Liwukaŋ, a prominent bark painter, to do. Another brother, Wulanybuma, assisted. Most striking are the bright colours, pop-pastiche, mixed metaphors, and transcultural appropriations. Looking nothing like brand Yolŋu — that, for example, Liwukaŋ’s traditional ochre bark paintings exemplify — it is more postmodern, more like Gordon Bennett meets Constanze Zikos.
Exclusive to the Magazine
Liwukaŋ Bukurlatjpi, A New Australian Flag (1989) by Ian McLean is featured in full in Issue 4 of Memo magazine.
Get your hands on the print edition through our online shop or save up to 20% and get free domestic shipping with a subscription.
Related
Emily Kam Kngwarray’s art has been claimed, framed, and re-framed—by critics, curators, and institutions alike. But what remains of the singular, personal encounter with her work?
Melbourne’s art scene is fertile ground for Tall Poppy proliferation and carnage.
The dissemblant image can be understood as one deliberately distant from its subject, seemingly illogical in its association.



