Chris Knowles and Maggie Fooke, One View (1985)
“Colonisation of the landscape has perhaps been afforded its widest expression (and reached its widest audience) in the area of filmmaking,” the Larrakia artist, curator, and anthropologist Gary Lee claimed in his 1997 essay, titled lying about the landscape.
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Chris Knowles and Maggie Fooke, One View (1985) by Giles Fielke is featured in full in Issue 3 of Memo magazine.
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Derek Jarman’s Blue (1993) is a film without images—just a luminous ultramarine field and an evocative soundtrack. Made as he was dying of AIDS-related illness, Blue resists spectacle, embracing abstraction, memory, and loss. Thirty years on, it continues to evolve, expanding across artists, mediums, and generations.
