Chris Knowles and Maggie Fooke, One View (1985)
“Colonisation of the landscape has perhaps been afforded its widest expression (and reached its widest audience) in the area of filmmaking,” the Larrakia artist, curator, and anthropologist Gary Lee claimed in his 1997 essay, titled lying about the landscape.
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Chris Knowles and Maggie Fooke, One View (1985) by Giles Fielke is featured in full in Issue 3 of Memo magazine.
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“It is no longer my face (identification), but the face that has somehow been given to me (circumstantial possession) as stage property.” — Jason Bahbak Mohaghegh, Omnicide: Mania, Fatality, and the Future-in-Delirium
