Are collectives dependent on institutions?
Narrowing the collective to its relation with art institutions and “artworld systems” posits the latter as ultimate signifiers.
Narrowing the collective to its relation with art institutions and “artworld systems” troubles me. It posits the latter as ultimate signifiers, and confirms the insularity of these art “worlds.” Beyond my mistrust for isolated identities, such insularity precludes any form of agency of art in the world at large.
Exclusive to the Magazine
Are collectives dependent on institutions? by Alexis Destoop is featured in full in Issue 2 of Memo magazine.
Get your hands on the print edition through our online shop or save up to 20% and get free domestic shipping with a subscription.
Related
Under the veneer of progressive protest, today’s political art emerges as elite kitsch, commodified by galleries, donors, and biennial curators to signal liberal virtue in market-driven bohemia.
At a time when all these elements are easily replicated by AI and memed on social media, what is often called Anderson’s “twee” aesthetic continues to be derided as all style and no substance.