Are collectives dependent on institutions?
Narrowing the collective to its relation with art institutions and “artworld systems” posits the latter as ultimate signifiers.
Narrowing the collective to its relation with art institutions and “artworld systems” troubles me. It posits the latter as ultimate signifiers, and confirms the insularity of these art “worlds.” Beyond my mistrust for isolated identities, such insularity precludes any form of agency of art in the world at large.
Exclusive to the Magazine
Are collectives dependent on institutions? by Alexis Destoop is featured in full in Issue 2 of Memo magazine.
Get your hands on the print edition through our online shop or save up to 20% and get free domestic shipping with a subscription.
Related
Emily Kam Kngwarray’s art has been claimed, framed, and re-framed—by critics, curators, and institutions alike. But what remains of the singular, personal encounter with her work?
Anabel Robinson’s paintings function like rooms—lived-in, layered, and shifting between figuration and abstraction. Her work invites a search for entry points, symbols, and hidden meanings.
Boxer, scrapper, parry—Archie Moore’s work moves through the tropes assigned to him, resisting, reworking, refusing.