Are collectives dependent on institutions?
Narrowing the collective to its relation with art institutions and “artworld systems” posits the latter as ultimate signifiers.
Narrowing the collective to its relation with art institutions and “artworld systems” troubles me. It posits the latter as ultimate signifiers, and confirms the insularity of these art “worlds.” Beyond my mistrust for isolated identities, such insularity precludes any form of agency of art in the world at large.
Exclusive to the Magazine
Are collectives dependent on institutions? by Alexis Destoop is featured in full in Issue 2 of Memo magazine.
Get your hands on the print edition through our online shop or save up to 20% and get free domestic shipping with a subscription.
Related
At a time when all these elements are easily replicated by AI and memed on social media, what is often called Anderson’s “twee” aesthetic continues to be derided as all style and no substance.
Kim Gordon grinds handrails with a Jazzmaster, vacuums in MNZ heels, and sings of capitalism’s end while modelling for its tastemakers. Object of Projection channels the aesthetics of resistance, but is it rebellion or just another symptom of “conservative cool”?